Monday, December 21, 2015

The same procedure as every year ...

Christmas Castle, Disneyland / Hong Kong, Dec. 15, 2007 :: © John Skodak / Flickr / CC BY-NC-ND 2.0


Wishing you all a wonderful X-mas 2015 and a very Happy New Year! 
(just in case I won't make it in time to post a new piece before New Year's Eve)


K11 Mall / Shanghai, Dec. 19, 2014 :: © Xu Liwen / Flickr / CC BY-SA 2.0 

Medieval Christmas Town / Shanghai, Dec. 13, 2015 :: © Xi Zhou / Flickr / CC BY-NC-ND 2.0

Christmas Decorations / Shekou, Dec. 4, 2009 :: © Thomas Galvez / Flickr / CC BY-NC 2.0

Monday, December 14, 2015

china beats presents :: Nova Heart

































The band around hyped singer, songwriter and new darling of Beijing's underground scene Helen Feng (冯海宁), Nova Heart, just released its first album, also entitled 'Nova Heart'. Music mags and other media around the world have nearly gone wild about the 'Chinese Blondie', as Feng soon was dubbed, and her band colleagues Bo Xuan (bass), Wang Hui (aka Loop :: guitar) and Atom (from Hedgehog :: drums).

But the Beijing-based combo is so much more than just a cheap replica of former heroines and heroes of international indie pop / rock or however you want to tag the respective sounds.

In a recent interview for the German weekly 'Die Zeit', lead vocalist Feng was asked about her general impression of China's current music scene, the role of censorship or why there seems to be no compass in life any more. Acknowledging the relative backwardness of the Chinese music industry, Feng said:
'Absolutely. Metaphorically speaking, we are just like a child learning to walk. For a few steps, he or she is able to stand up but then falls down again. It's a phase of learning we are experiencing right now. 
With regard to China, this holds true doubly because the effects of the Cultural Revolution are still felt: Nobody is interested in tradition, everything new and foreign is perceived as good. I totally get it when people say: Hey, you Asians are quite unoriginal. It's all about absorbing different influences and styles for now.' 
(Zeit Online, Oct. 20; original text in German, my translation)
(For another German-language interview, see here. Two interview pieces in English can be found here and here).

Overall, 'Nova Heart', the band's debut full-length album, sounds anything but structured; the alluring voice of the pop diva herself leads you into sinister, surreal and bleak worlds - take your chances and listen to the track below (for more on Nova Heart / Helen Feng, see the band's SoundCloud site or visit the official page).

Monday, November 30, 2015

Australian perspectives on contemporary China

Universities in Australia have been important centres of China studies or studies on the Asia-Pacific region, more generally, for a very long time. The Australian National University (ANU) in Canberra is one of the most famous among them.

Its different colleges, institutes and centres where comprehensive research related to Chinese history, society, economic structures, literature, philosophy, languages or other fields of interest is conducted are highly acclaimed institutions of higher learning that attract some of the brightest national & international students and scholars (for a short history of relations between China and ANU, see the amazing video below).



Last month, a dedicated team of editors, translators and writers around renowned China scholar Geremie R. Barmé has finished the work for a new edition of 'The China Story Yearbook'.

The 2014 edition of this incredible source of information on all things Chinese is entitled 'Shared Destiny' and consists of six chapters in total.

Written by some of the most distinguished China writers, specialists and scholars in their respective fields of study or expertise, such as Geremie Barmé himself (Introduction and Conclusion), Jane Golley (Chapter 1), Jeremy Goldkorn (Chapter 3), Gloria Davies (Chapter 4) or Carolyn Cartier (Chapter 5), to name just a few, the new book is a must-read (and I don't write such things lightly) for anybody interested in the current state of the PR China and the country's position in the world.

In addition to longer chapters by the main contributors directly attached to the authoritative 'Australian Centre on China in the World (CIW)' at ANU, interspersed so-called 'Forum' sections allow some room for short discussions by additional Australia-based and / or international China specialists on topics as diverse as political morality tales, new economic trends, the state of contemporary international relations and the role of the PR China, relations across the Taiwan Strait, the state of the arts and the growing weight of Chinese cultural politics, mobility and migration in an age of globalization or justice and the law.

The various authors have refreshingly different backgrounds, ranging from historians, literary scholars, former diplomats, new media entrepreneurs and consultants to specialists in China-related studies in political economy or foreign policy, internet studies, CCP doctrines, justice and security agendas or urban studies, migration and mobility.

Each chapter is followed by the 'Forum' section in which the respective writers shortly introduce important topics of discussion.

A chronology of key events, the list of contributors, links to additional online material and a so-called 'List of Information Windows' make this extremely valuable ebook even more useful.

























Thankfully - considering the astronomic prices some commercial academic presses aka online service providers nowadays charge, 'The China Story Yearbook', published once a year since 2012, is part of a wider open source project created by the widely respected ANU Centre.

Do not hesitate and download the book / individual chapters for free or order it as an on demand print volume if you are more into the paper stuff. (Note: In case you missed them, Yearbooks 2012 and 2013 are still available here and here.)

Oh, and not to forget: Professor Barmé is, among many other things (China historian, editor, translator, founding director of the CIW), also the China scholar who has coined the term 'New Sinology (后汉学 / 後漢學)' in 2005 as a novel approach to Chinese studies. In his own words, New Sinology is about:
'A robust engagement with contemporary China and indeed with the Sinophone world in all of its complexity, be it local, regional or global. 
It affirms a conversation and intermingling that also emphasizes strong scholastic underpinnings in both the classical and modern Chinese language and studies, at the same time as encouraging an ecumenical attitude in relation to a rich variety of approaches and disciplines, whether they be mainly empirical or more theoretically inflected. 
In seeking to emphasize innovation within Sinology by recourse to the word ‘new’, it is nonetheless evident that I continue to affirm the distinctiveness of Sinology as a mode of intellectual inquiry.'
(from Geremie R. Barmé 2005, On New Sinology.)

(You can read the complete article here if you want.)

Friday, November 20, 2015

The myth of China's 'ghost cities' reconsidered

Construction activities somewhere in the vast plains of Inner Mongolia (2013) :: 
© Robert James Hughes / Flickr / CC BY-NC-ND 2.0

























When I was roaming the web for some original new info about China's unprecedented urbanization drive a while ago, I eventually tripped over a really fascinating academic paper by three Chinese scientists via Motherboard (one of the countless ventures of the Vice Media empire).

The writer of the short piece, entitled 'Meet the Data Scientist Revealing How Big China's "Ghost Cities" Really are', spoke to one of the authors of the recently published study that takes a refreshing novel approach to re-evaluate the long-standing myth of giant new urban agglomerations constructed in a frenzy only to stay largely vacant.

These enormous nearly uninhabited Chinese 'Disney Worlds' or 'ghost cities', as they are commonly called, always seemed to epitomize what's seriously wrong with much of the country's often megalomaniac urban planning projects.

Most prominent among these newly constructed metropolises is one of the main population hubs in Inner Mongolia, the notorious city of Ordos, a location that made headlines in English-language media as early as 2009. A monstrous new development zone, even in the Chinese context, so-called Kangbashi New Area, had been devised and built outside the old city centre of Ordos to accommodate over a million future inhabitants.

The only problem:

The expected masses didn't move in and the small percentage of around 20,000 people (in 2013) who did so were eager to leave again. The futuristic urban planning scheme morphed into a virtually deserted ghost town with half-built or abandoned apartment buildings, empty streets and a plush new airport without any passengers to speak of (for a two-year old reportage about Ordos and Kangbashi, see here; according to more recent accounts, things are beginning to change lately - see below).

For many outside observers, Ordos became the prime example of immense, hastily constructed but largely empty Chinese ghost cities that didn't turn out as wished by overambitious urban planners. For quite some time, the feverish construction of ever-bigger and extravagant urban clusters has been described as utter failure by foreign and, to a lesser extent, Chinese commentators.

But in the last few years, writers and academics have begun to question the conventional wisdom that ghost cities will never turn into glitzy new boomtowns and thrive as economic and cultural hot spots.

A brand-new study by a team of scientists from Baidu Research's Big Data Lab (one of several research facilities of the search engine giant that is co-located in Silicon Valley and Beijing) and Peking University's Institute of Remote Sensing and Geographic Information Systems in Beijing now sheds new light on the long-standing myth of frantically developed but deserted ghost cities all over China.

The three authors Chi Guanghua, Liu Yu and Wu Haishan acknowledge that their findings are only a first step in using big data to better grasp the actual state of proclaimed ghost cities. Nevertheless, the scientists used an impressive amount of location data from Baidu Maps to analyze China's 'lost cities' in some depth.
















The abstract of their preliminary study reads:
'Real estate projects are developed excessively in China in this decade. Many new housing districts are built, but they far exceed the actual demand in some cities. These cities with a high housing vacancy rate are called "ghost cities". 
The real situation of vacant housing areas in China has not been studied in previous research. This study, using Baidu positioning data presents the spatial distribution of the vacant housing areas in China and classifies cities with a large vacant housing area as cities or tourism sites. 
To understand the human dynamic in "ghost cities", we select one city and one tourism sites as cases to analyze the features of human dynamics. This study illustrates the capability of big data in sensing our cities objectively and comprehensively.' 
(Chi et al., 12 Nov 2015, arXiv:1510.08505v2 [cs.SI])

In their paper, the authors freely admit that their data corpus is biased (the smartphone users that are covered belong to a certain demographic group that might not be completely representative, for instance). In addition, the concentration on just two case studies and types of cities, Kangbashi New District in Inner Mongolia and the tourist city of Rushan in Shandong province, do not allow sweeping generalizations.

Nevertheless, they might be able to assess the current state of ghost towns more accurately than previous studies. One very interesting finding is that many parts of Kangbashi actually did get well populated over time. Tourist magnet Rushan, on the other hand, apparently still stands largely empty out of season.

The (not peer-reviewed) study concludes:
'For the first time, we use Baidu big data to analyze the real situation of "ghost cities" in China. The features of national spatial scale, long temporal scale, and high precision of Baidu big data make the study of "ghost cities" representative and reliable. 
Instead of just counting the number of homes with light at night in certain residential areas as the indicator of "ghost city", Baidu big data can count the population precisely, in real time, and in national scale. A limitation of the data is that it cannot represent the real demography of a city because not all people are Baidu users. 
However, with the ubiquity of smart mobile phones, Baidu users occupy the most proportion of the whole population. Moreover, the quality of residential area POIs will affect our results. We make a series of processing to make sure that the POIs are reliable. Baidu big data bring opportunities to objectively understand the status or even reasons of "ghost cities." 
Based on the Baidu positioning data and residential area POI data, we design an algorithm to discover the vacant housing areas. 
The results discovered the specific location of vacant housing areas, which can help government make smarter and more reasonable decisions. Our results provide the real situation of the so called "ghost cities" in China. 
Cities with a large vacant housing area are mostly second-tier and third-tier cities. East provinces have more proportion of cities with vacant housing areas. 
We also distinguish the tourism sites and cities. Based on Baidu positioning data, we discover the human dynamic in cities with a large vacant housing area to help better understand the situation in "ghost cities."' 
(Chi et al., 12 Nov 2015, arXiv:1510.08505v2 [cs.SI])

If you want to immerse yourselves some more into research methodology, the two sets of data used, the case studies or some figures, feel free to download the full paper 'Ghost Cities Analysis Based on Positioning Data in China' by Chi et al. (don't worry, only 14 pages!) that is available at arXiv.org right here.

By the way, twenty case studies of actual or proclaimed ghost cities in different parts of the country are presented on the very nice interactive web site of Baidu's Big Data Lab. You also can switch between map and satellite views (in Chinese, see here).

And in case you want to learn more about the intriguing phenomenon of Chinese ghost cities and the myths surrounding it - albeit in a less scientific way - try the new book 'Ghost Cities of China' (Zed Books / Amazon) by travel writer Wade Shepard or visit his extensive blog Vagabond Journey.

Friday, November 6, 2015

Unconventional journeys into the past :: Urbexing in China

Abandoned ceramics factory :: © Shannon O'Toole / Flickr / CC BY-NC-ND 2.0























I love to stumble upon information that leads directly to fascinating glimpses into whole new or - as in this case - rather old and nearly vanished worlds.

Last week, The Guardian had a very interesting piece, entitled 'Crouching trekker, hidden buildings: China's urban explorers', that was written by Beijing correspondent Tom Phillips. The article introduces two China-based representatives of the global community of so-called 'urban explorers' or 'urbexers' in short.

This tightly-knit and ever-growing group of like-minded souls is made up of true enthusiasts who wander around their respective urban environments tirelessly, tracking down largely forgotten corners, exploring the outskirts of cities or even travel to far-away foreign countries.

Equipped with cameras / smartphones and practical stuff (think gloves, torches, first aid kits or cigarettes to appease security guards), they search for thrilling hidden locations, such as derelict structures and interiors of deserted homes, apartment buildings, hospitals, mental institutions, schools, industrial sites, amusement parks or 'ghost houses' with their often shabby, agonizing or just plain creepy inventories.

True urbexers are really passionate about these relics of the recent or not so recent past as they can tell compelling stories if you look close enough.

One of the guys portrayed in the article is a Briton who currently works in the Chinese capital and is apparently one of the busiest and best-known members of China's urban explorers' network of around 200 people in total.

Brendan Connal, that's his name, is also the mastermind behind the amazing blog Burbex where he regularly posts marvellous pictures of Beijing's (and other Chinese cities') lost places. Over the years, he has discovered lots of slowly disintegrating, godforsaken spots and has painstakingly documented the dystopia and decay or, more specifically, the various disturbing consequences of frenzied mega-urbanization and ever-faster cycles of industrialization and de-industrialization.

The second urbexer interviewed by Phillips is the professional Chinese photographer Zhao Yang (赵阳) aka WhiteZ (怀特贼) who started his personal urban exploration project in 2006 and is stationed in Beijing as well.

In the course of action, Zhao Yang has set up an excellent (Chinese-language) site, named Cooling Plan (冷却计划), where he presents several samples of his ongoing photo project from different locations, such as the once famous Shougang iron and steel industrial area on the western fringes of the Chinese capital, for instance, as well as some short videos recently filmed on the scenes he visited.

It shouldn't come as a surprise that venturing forth into the unknown of China's urban 'wilderness' brings along certain health hazards and other less tangible dangers. Non-compliant guards, high fences, aggressive dogs, the imminent perils of natural habitats or the dire condition of buildings and sites can pose a lot of challenges.

But experienced urbexers are not so easily deterred; many begin to thrive when access is extremely difficult while the expected spoils seem especially rewarding.

Interestingly, the former recreational activity of urbexing has become serious business lately as tourists around the world are increasingly attracted to these unconventional journeys into the past and are thus willing to pay big bucks for the services of seasoned urban explorers.

(PS: If you ever thought about urbexing in the German capital, the surroundings or hinterlands, have a look first at the well-respected English-language site Abandoned Berlin. And no, this part of my post is not a promotional gig as I don't know the Irishman behind it personally - I just admire his work and general attitude.)

Friday, October 30, 2015

china beats presents :: FM3

Autumn finally has arrived (here in Berlin, at least). Looking out of the window you see trees slowly shedding their colourful leaves and a light gray sky.

No wonder the prevailing mood is often melancholic this time of year - the season makes many people yearn for atmospheric sounds that further stimulate contemplation and retrospection. Today's recommendation fits that sound profile perfectly well, in my view, and it doesn't matter at all that the album is not brand new.

As a matter of fact, the early pioneers of the Chinese electronic music scene, Hong Kong- / Beijing-based artists Christiaan Virant and Zhang Jian aka FM3, have become more celebrated for their ingenious Buddha Machine loop player (if you have no idea what the heck that is - just as poor me - see here) than for conventional studio work lately.

The first full-length album in a decade, 'Ting Shuo (听说)', as the most recent masterstroke by the two creative musicians is entitled, was released in November 2014 after the duo had toured mainland China and Hong Kong in 2013 and 2014, writing and recording along the way for this special project.

The ensuing tracks were mastered by Kassian Troyer in Berlin; the instruments used include a cello, a Steinway Grand piano and a vintage Roland keyboard as well as the mandatory Buddha Machine. Overall, the sound is more classical and melodic but as moody and innovative as ever.

Of course, the digital album is available for streaming and download via Bandcamp (for 5 US$ or more; plus VAT for EU buyers).


And in case you want to explore some more: Enjoy a short documentary that was originally filmed by Vice China in 2013 in Chinese language, introducing the two guys, the Buddha Machine player they invented and Buddha Boxing (don't panic, the newer version below has added English subtitles!).

Wednesday, October 28, 2015

News from NeoCha

Screenshot NeoCha





















This one is an excellent recommendation listed among others on the English-language site of the Sapore di Cina (Flavour of China) blog on October 19 (note: the portal also has the original Italian and a Spanish version for those of you who are fluent in either language).

The post in question presents a couple of helpful China pages that can be found and followed on Facebook (personally, I prefer to visit the 'real', not the Facebook sites if existent).

(To be honest, I didn't know Sapore di Cina, an independent and extensive blog apparently produced by just two guys, until yesterday. But you might be aware that venerable China Law Blog promised to collect and subsequently present sources providing valuable China information after shutting down their blogroll.

And alas, three days ago, China Law Blog's Dan Harris referred to and commented on the Sapore di Cina list in this post.)

But back to the point. The online magazine I would like to recommend to you is called NeoCha. I have been looking around rather desperately for interesting pages about Chinese fashion, design, art, photography and music scenes or contemporary (sub)culture in general for quite some time, so I am thrilled to have come by this gem eventually.

Admittedly, NeoCha is not exactly a newcomer as the Shanghai-based special-interest outlet has been around since 2006. My bad.

Originally founded by a group of musicians, designers, programmers and entrepreneurs, the magazine nowadays doubles as a creative agency, aptly named NeoChaEDGE, that - in its own words - 'celebrates Chinese creativity'.

The award-winning agency (where the real bucks are made, obviously) focuses mostly on film and video productions as well as on illustration and graphic design work. It boasts of an impressive array of illustrious clients, including global footwear and lifestyle brands such as Adidas, Esprit, Nike or Starbucks.

The magazine itself, however, is not restricted to the latest trends in contemporary culture in Greater China, but also covers art scenes in other Asian countries, such as Japan, Korea, Thailand or Bangladesh. I was pleased to see that Neocha is multilingual - every article is in English and the respective language of the subject or region involved.

As you can see above, the main rubrics include art, design, fashion, lifestyle and video. The short articles typically feature current exhibitions, art projects, cultural events, new music venues, fashion shows, portraits of or interviews with cultural workers. All pieces are written expertly and accompanied by lots of gorgeous photos. The site's design, no wonder, is sleek, minimalist and professional.

Surprisingly, NeoCha / NeoChaEDGE do not shy away from strongly encouraging artists and designers to send their work or story ideas - to my knowledge, that's rather unusual in this line of business. Oh, not to forget, you can buy (more or less affordable) limited editions of art prints and products from up-and-coming Chinese artists and designers online via so-called 'The EDGE Shop'.

To sum it up, if you are passionate about any of the things mentioned above privately or professionally, don't hesitate and give it a try.

Wednesday, October 21, 2015

Martial arts with Taiwanese characteristics

Both critics and the jury at the 2015 Festival de Cannes were enthralled by the latest work of Hou Hsiao-hsien (侯孝賢), entitled 'The Assassin (聂隐娘 Nie Yinniang)'.

No stranger to the most important international film festivals, the renowned Taiwanese director, screenwriter, producer, actor and singer has won the Award for Best Director for his new masterpiece at the prestigious French event this May.

Also, The New York Film Festival has hosted the US première in September & October.

Best known for his contemplative portrayals of Taiwanese history and society, Hou's foray into the fiercely contested martial arts (wuxia) genre may surprise at first.

But he seems to be able to add whole new layers to the age-old genre and expand it way beyond stunning visuals and state-of-the-art choreography (for an extensive recent interview with Hou Hsiao-hsien about the making of, see here).

The wuxia epic 'The Assassin' stars Hou's muse, the Taiwan-born and Hong Kong-based actress and model Shu Qi, a film celebrity in her own right.

The martial arts saga takes the audience back to 9th century China during the reign of the Tang dynasty when a female assassin called Nie Yinniang devotes herself to the art of killing until her troubled past catches up with her and changes her route (for a pretty raving review in The Daily Beast, see here).

Watch the official trailer below and decide for yourselves ...

Monday, September 28, 2015

19th century China through the eyes of a Scotchman

A Manchu bride, Beijing (1871) ::
© John Thomson / Courtesy Wellcome Library, London / CC BY 4.0

































I don't know about you, but I pretty much adore unique historical photographs from China.

The ones presented here are clearly something very special, because the Scottish photographer in question largely bypassed the trap most of his contemporaries invariably walked into: Deliberately staging and thus essentializing 'the exotic' of 19th century China and her people.

John Thomson (1837-1921), a native of Edinburgh, first moved to Singapore in 1862, then went on to Siam, Angkor Wat and Phnom Penh.

After eventually settling down in Hong Kong in 1868, he spent the following four years travelling extensively across China, taking photographs of Chinese people from all walks of life, architecture, local customs or regional sceneries. A geographer, travel writer and gifted pioneer of photojournalism, Thomson was markedly different from other masters of the lens in the colonial era as he demonstrated a rare interest in and pronounced respect for his varied subjects.

A married couple, Xiamen / Fujian province (1870) ::
© John Thomson / Courtesy Wellcome Library, London / CC BY 4.0

































After his death in 1921, wealthy American collector Henry Wellcome acquired a set of Thomson's original glass plate negatives that are still held today by the Wellcome Library in London.

Thanks to a painstaking conservation and digitization process involving 660 original negatives, select prints from this laudable project have been shown in exhibition halls all over the world.

A selection of these stunning images is currently on display at The Textile Museum and The George Washington University Museum in Washington, DC, alongside contemporaneous items of the textile museum's beautiful collection of fabrics and accessories from the Qing dynasty.

The exhibition, entitled 'China: Through the Lens of John Thomson (1868-1872)', is open to visitors until February 14, 2016 (for more information, see also this article in American Photo).

And providing you want to delve deeper into the fascinating world of 19th century China, of other parts of the Far East or of Cyprus, Thomson's last stop before returning to Britain, visit the site dedicated to him at Wellcome Library or browse the complete catalogue here. You won't regret it.

Thomson with two Manchu soldiers, Xiamen / Fujian province (1871) ::
© John Thomson / Courtesy Wellcome Library, London / CC BY 4.0

Wednesday, September 23, 2015

Deciphering the Chinese sphinx

© Anderson Riedel / Flickr / CC BY 2.0























Only a short while before Xi Jinping's first official US visit in his capacity as Chinese president, I noticed with slight irritation that a theme disturbingly prevalent in earlier narratives has re-emerged in the media (for an example, see here).

That is, professional commentators desperately trying to figure out what the supposed new strongman is all about and tending to view China's current top leader as a persona somehow shrouded in mystery. There is such an awful lot of hyperbole in many of these 'how does the Chinese sphinx tick' pieces that I can't help to cringe.

It is especially vexing given the very real risk of perpetuating the age-old myth of the 'inscrutable Chinese'.

Not to be misunderstood: I know perfectly well that access to the secluded quarters of Zhongnanhai is highly restricted and analysing the inner workings of Chinese elite politics is no easy feat. Nor is the venture to entangle the personal from the political (if that's even possible) or to fully comprehend a politician's broader agenda (if there is one at all).

Nevertheless, there is most certainly no need for an advanced course in contemporary psychoanalytical theory and practice.

With regard to Xi Jinping, it would clearly help to hear and read what the man actually says.

A good starting point might be his book 'The Governance of China' (Amazon), a compilation of nearly 80 speeches and addresses released in October 2014 with mighty official fanfare.

I know, I know, it doesn't make for the most entertaining reading; on the other hand, nearly all main ideas and ideological underpinnings are laid out there for everyone to see (for a short summary, see this recent article in The Atlantic. The author coins the term 'Xiism' for the latter's special brand of ethno-nationalist Marxism).

Much of the widespread failure to dissect what's going on is due to the fact that Chinese sources and original statements are woefully ignored in most of Western mainstream coverage. It should be self-evident by now that monitoring the headlines and op-eds of officially sanctioned English-language publications, such as China Daily or Global Times, is definitely not enough.

But back to the man in question. Assuredly, CCP head Xi Jinping is a lot more affable and charming than his predecessor Hu Jintao, according to accounts by Westerners who have met him in person (should suffice to look at him, by the way).

True, compared to Hu, the very incarnation of wooden technocrat and party apparatchik, everyone would look affable (I always had this weird imagination he would just splinter into a thousand pieces if you push him too hard). The part of reaching out to the Chinese people and engineering populist stunts was left to his amiable sidekick, premier Wen Jiabao.

All in all, the best profile of alleged mystery man Xi Jinping I have come across so far is the one by Evan Osnos, entitled 'Born Red' and posted online by The New Yorker a while back. Very thorough, based on an impressive variety of interviews with Chinese and foreign informants from different backgrounds and using a lot of Chinese-language material as well as talks and texts by Xi himself, the extensive portrait is not only positively enlightening but also exceptionally well-written.

I strongly urge you to take the time to read all of it.

(Note: In case you have wondered now and then why I rarely refer to excellent German sources or authors, myself being German and all, the reason for this is quite simple.

In my very humble opinion, there are - sadly - next to none. Period. No sinister motives on my side whatsoever.)

Sunday, September 6, 2015

china beats presents :: Broken Thoughts

Guest post by Eclectic Beatmaster (German version here)

Transforming mathematics or physics into music is not a brand new approach by modern experimental or electronic artists, but it is always good for some really brilliant gems of the genre.

'Wave Function Collapse', the new ten piece - patterns he calls them - album from Broken Thoughts aka Luo Keju from Kunming, was inspired by a theory in physics.
'In quantum mechanics, wave function collapse is said to occur when a wave function - initially in a superposition of several eigenstates - appears to reduce to a single eigenstate (by 'observation').' 
(Wikipedia)
Well, seems to be a great concept for some sound-based works of art. Let's see what the young Chinese artist is telling us about his inspiration and approach to the album.

© Luo Keju






















'I've always been fascinated by such concept and I believe it has best described how a lot of things work, including the creation of music in a way. I start with random materials and nebulous melodies from my subconscious, put these clips of different lengths together on loop, then just allow things to happen spontaneously, while I observe and interfere, shaping out the details. These become the album - 10 "patterns" created over the last 20 months. They are soundtracks to imaginary films, and experiments inspired by and dedicated to the beauty of mathematics and physics.'
Well said.

My suggestion: Grab your headphones and start floating into this fantastic mix of cinematic glitches, slowly but steadily rolling with waving loops and tender beats.


 
The album was released on August 19, 2015 via net label Abstract Reflections where you can legally download in three different qualities, from 320 kbps up to 24bit FLAC.

If you want to support the artist, name a price and buy on Bandcamp.

Saturday, August 29, 2015

Reshaping conventional IR theory and what Chinese latrines have got to do with it

What comes to mind thinking of International Relations (IR) as an academic subject?

To be honest, I always considered it a rather dreary affair, trying to figure out state-to-state relations and top-down elite politics.

My bad. The short documentary film 'toilet adventures' (15 min.) by William A. Callahan, for instance, is an outcome of a highly unusual approach to IR research and theory.

Callahan is professor of International Relations at prestigious London School of Economics and Political Science with a focus on China, among other regions.

For this special film project started in 2014 (for others, see here), he interviewed several people from different backgrounds and nationalities about their first experiences in the PR China, entailing the very basic human issue of going to the toilet in foreign surroundings.

In case you are familiar with the China studies business, you might recognize some of the protagonists who were confident enough to take part in this bold experiment.

In his recent article in The China Story Journal (a web-based outlet of the Australian Centre on China in the World at The Australian National University in Canberra), where he presents the video and elaborates on his general take, Callahan notes:
'As well as providing a more nuanced view of reactions to China, toilet adventures raises a set of questions about what counts as knowledge. The film's participants certainly provide plenty of facts to answer the "where", "when", and "how" questions of going to the bathroom in rural China. 
However, even with all these facts on display, the main point is not rational in the sense of providing an "accurate" representation of the PRC. 
Films are interesting because they allow us to appreciate the "affect" of emotional and bodily knowledge: the cringes that we see on participants' faces when they recall coming face-to-face with a dirty, smelly squat toilet for the first time, the uncomfortable laughs provoked when the private becomes public, and the cathartic sighs when the experience is complete.'
I strongly recommend to read the entire article to understand what critical IR & China studies might entail way beyond mainstream research. And now brace yourselves for some serious poop and pee talk.

Tuesday, August 25, 2015

The Chinese in Berlin

Berlin's landmark Brandenburg Gate :: © Stefan Bader

























Walking around in certain neighbourhoods of the German capital these days, chances are you hear a lot more Spanish, French or English than German. Yes, Berlin (official site) is a magnet for international tourists and some parts of it feel and look like a somewhat bizarre adventure playground for youthful hedonism.

Ever-growing numbers of tourists aside, there are also many, especially younger, foreign visitors who decide to stay for good.

The incredible hype about Berlin in the last decade or so has certainly been over the top; nevertheless, it remains an avowed dream destination for the young, hip (whatever that means), well-educated, freedom-loving crowd as the city boasts, not wholly unfounded, of cultural spaces galore, relative tolerance, a thriving start-up scene, a good share of like-minded souls and (still) low costs of living.

But what about the Chinese?

First of all, the Chinese community in Berlin is pretty small in comparison with other big European cities, such as London or Paris.

According to the latest report (pdf in German) by the Statistical Office for Berlin-Brandenburg, the capital city was home to 7,989 officially registered Chinese nationals at the end of 2014 (this number includes residents from Hong Kong, Macao and Taiwan).

Compare that to the 98,659 persons strong populace of Turkish, 53,304 of Polish or 14,825 of Vietnamese descent.

Don't expect to find anything resembling a genuine Chinatown because there is none. The only area with a substantial cluster of Chinese restaurants, antique dealers and furniture stores, small food shops or practitioners of Traditional Chinese Medicine is located around Kantstrasse in the old western district of Charlottenburg.

Even the largest Asian Market that houses a plethora of different traders in eastern Lichtenberg, the so-called Dong Xuan Center (link in German), is heavily dominated by the Vietnamese.

This hasn't been always so.

Historically, Berlin had its share of Chinese emigrants as early as the beginning of the 19th century.

The first two of them, the Cantonese Feng Yaxing (also Feng Yasheng) and Feng Yaxue, gained a dubious notoriety when they were being displayed as exotic human exhibition models to a curious, paying 'white' audience in 1823.

Not much is known about the small community in the 19th and beginning of the 20th century. In 1923, more than 1,000 Chinese studied at Berlin's universities, around 200 small traders gathered in the so-called 'Yellow Quarter' and the first sociocultural centers emerged.

It is easily forgotten that many political activists and even luminaries of the Chinese revolution, such as Zhou Enlai or Zhu De, spent some time in the German capital in the 1920s. After the Nazi regime took power, the Chinese population soon became a target for increased control, persecution or worse (for more information in German, see here).

At present, students again make up a large part of the Chinese community, constituting the single biggest group of foreigners enrolled at local universities. According to the latest statistics (pdf in German) by the Statistical Office for Berlin-Brandenburg from June this year, over 2,000 Chinese nationals were registered in total.

The tiny community also includes artists, entrepreneurs, managers, doctors, shopkeepers and, of course, the ubiquitous restaurant owners and their staff. Lately, some of these have become more brazen, daring to confront their customers with authentic cuisine from different regions, thus giving foodies a long-awaited alternative to that dreaded westernized mess that normally goes for Chinese.

As a matter of fact, the majority of the Chinese you presently encounter in the streets of Berlin may actually be tourists. Their number has risen continuously over the last few years as the latest figures (pdf in German) of the Berlin Tourism & Congress GmbH prove (in 2014, there were more than 210,000 overnight stays by visitors from China; that's an increase of 12.5% compared to last year).

This group is highly coveted by the local tourism industry, because Chinese visitors tend to spend quite a lot of money, are known to be picky and very much appreciate services tailored to their specific needs. It's no surprise that high-end designer boutiques and flagship stores are increasingly desperate to find Chinese-speaking sales staff to indulge this free-spending crowd.

Being the capital of Germany, Berlin has attracted a number of institutions and companies over the years. Air China and Bank of China (link in German), for example, both have set up branches at central Leipziger Platz.

In November 2011, tech giant Huawei (link in German) was the first Chinese company to formally establish an office in the capital city. There is also a regional branch of The German-Chinese Business Association that is active in promoting business relations with China, although Berlin and the surrounding federal state of Brandenburg are hardly the most important hubs for economic cooperation and mutual investment across Germany.

Official China is not only represented by the Embassy of the PR China (link in German), but the country has also installed the Chinese Cultural Centre Berlin (link in German) that is funded by the Ministry of Culture and enjoys the same status as the German Goethe-Institut abroad.

In addition, Berlin boasts of the very first Confucius Institute (link in German) founded in Germany, a cooperation between Freie Universität Berlin (Free University of Berlin) and Peking University, that opened its doors as early as 2006.

More or less official activities aside, there is a small bunch of private initiatives promoting inter-cultural understanding and exchange. Chinese film clubs, German-Chinese cultural associations or organizations set up by Chinese students and scholars count among these non-official ventures that present / represent China and the Chinese in the German capital.

All things considered, the Chinese presence in Berlin is still rather limited and it remains to be seen if the global rush to find a temporary or permanent domicile in the city will also include rising numbers of people from China in the years to come.

Friday, August 7, 2015

Who the hell is buying risqué Chinese underwear in Egypt?

Screenshot The New Yorker

































Answer: Lots of people, apparently. This may seem counter-intuitive, given the fact that the majority of Egypt's population is deeply religious, but obviously the charms of alluring underwear are not lost on either gender.

How do I know?

Yesterday, I had the great pleasure to come by Peter Hessler's brand new piece in The New Yorker, entitled 'Learning to Speak Lingerie: Chinese merchants and the inroads of globalization'.

You have heard about Hessler, right?

The author truly has become a household name by now. After volunteering for the Peace Corps as a teacher for English and American literature in a small town in Sichuan province, Hessler subsequently served as The New Yorker's China correspondent from 2000 until 2007.

He has written three books about the country that won him a lot of critical acclaim and prestigious awards, not only in the US but also in China (a lengthy portrait - sorry, paywall - of the writer and his work by Ian Johnson appeared on May 7 in The New York Review of Books).

It is indeed highly unusual that works by foreign journalists are translated and published in the People's Republic. And it is even more uncommon that these texts find an enthusiastic Chinese audience.

Not long ago, there has been a fierce debate about Hessler's decision (and that of other US writers) to publish in mainland China and to this end to consent to some minor changes - a compromise that was interpreted by several colleagues (do I detect a hint of professional jealousy here?) as an unacceptable kowtow to official censorship (for his well-argued and extensive response to these accusations, see here).

Back to the article in question.

In 2011, Hessler moved to the Egyptian capital Cairo where he has lived since. In his reportage from the notoriously conservative Upper Egypt region, he traces the emergence of a whole bunch of small dealers who specialize in selling quite revealing and, some might think, outrageously sexy, lingerie.

On his tour, he also comes across the first plastic-recycling centre in the south that is run by an older Chinese couple, the parents of lingerie traders.

Another stop is at one of the countless economic and trade cooperation zones Chinese investors are so keen to establish all over the world. This one is marred by failure as local labour supply is scarce, culminating in the bizarre choice by the Chinese state-owned company that built the industrial zone to transform it partly into four crude amusement parks in the hope of attracting more visitors / suitable workers.

In his vivid report, the author sheds light on a seriously underestimated side of China's engagement in foreign countries: the important role of individual traders and small-scale private entrepreneurs who often pave the way for larger investments and migration streams. Generally, gigantic investment projects by state-controlled giants dominate the discourse about Chinese economic development ventures abroad.

The article is a small masterpiece in Hessler's trademark style of narrative journalism; the long text is really funny, eye-opening and perceptive.

I might not be inclined to follow all of Hessler's more general views or conclusions vis-à-vis China's trajectory, but I do admit without reservation: Chapeau, this guy can write!